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We’ll go into a studio wherever we are and knock out a song or two. “They get tacked on to our tours, when we have a day off. “Sessions these days are sort of on the hoof,” Lowe says.

Louis, then mixed in London by Neil Brockbank’s young protegé Tuck Nelson. This time out, tracks were cut over a few days at Sawhorse Studios in St. It also opened the door for new recordings. Just learn the chords and we’ll play them together so it sounds as natural as we can make it.’ Rather than doing some kind of tribute band kind of act, you know? And that’s when it started being fun and click into gear.” At first, they very kindly started learning up my records, note for note. “This is a collaboration,” Lowe stresses. And that makes the music work.”īetween 2014-18, the group accompanied Lowe on four well-received tours (two in support of his holiday disc Quality Street, one of Rolling Stone’s 40 Essential Christmas Albums). Plus, we get on with each other really well. They can knock you out a version of Bacharach & David’s “The Look of Love” with no trouble at all.

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“Apart from being a fantastic rock ‘n’ roll band,” Lowe says, “they know how to play tons of different styles really well. The match that helped Lowe recapture his groove started casually in 2012 when he and the Straitjackets jammed at a party for their shared label, Yep Roc. Side B of the EP features Nick’s first production credit for another artist in over two decades, as he takes a turn behind the desk on Los Straitjackets’ scorching version of the Shocking Blue classic “Venus.” Nick’s wordplay and razor-sharp lyrics shine bright with the twang-friendly tones of Los Straitjackets behind him. The limited edition release features two new originals from Nick, “Lay It On Me Baby” and “Don’t Be Nice to Me,” alongside a cover of Dorsey Burnette’s “Here Comes That Feeling” (made famous by Brenda Lee).

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Los Straitjackets backed Lowe on 2018’s well-received Tokyo Bay / Crying Inside EP (Conan O’Brien personally chose them to perform “Tokyo Bay” on the show’s final week of music bookings, before changing to its new 30-minute format), as well as last year’s Love Starvation / Trombone EP which featured three new Nick originals plus a cover of an obscure Phil Spector-produced gem, “Raincoat in the River.”Ģ020 finds Lowe offering EP #3, Lay It On Me, where he is once again joined by his gang of masked musicians, Los Straitjackets. That’s Los Straitjackets, America’s beloved masked men of surf-and-spy guitar instrumentals. I miss that rapport, having somebody to say, ‘This is terrible’ or ‘This is great.’ Losing them really knocked me off my bike, and I thought, ‘I think I’ve sort of had enough of this. “The three of us were always able to discuss the work at hand without worry of offending each other. “They were my two closest friends,” Lowe says. Both had been with him since his career renaissance in the mid-1990s. So you think, ‘Why would I put myself through making another record?’”īut beyond those practical considerations, Lowe faced a larger emotional impasse – the untimely deaths of his two longtime creative partners, drummer Bobby Irwin and producer Neil Brockbank, in 20, respectively. You can travel in quite a degree of comfort and be nicely thanked for your efforts. Also, the live thing is so easy to do now. Never mind that nobody really buys records anymore. Plus, to make the kind of records I know how to make is incredibly expensive. So I wasn’t exactly laden with new material. I can spend quite a long time fiddling around with some little two-and-a-half minute tune, then finally go, ‘Oh, I’ve heard this before so many times,’ and just drop it. I write songs all the time, but the thing about getting older is that I’m extremely self-critical. “First, I’ve never been particularly prolific. “I’d been dodging the thought of making more records for a few reasons,” Lowe says. But suddenly, the affable rocker-next-door felt he had to step back to take stock of his situation.

As detailed in a lengthy retrospective feature in Rolling Stone this past December, Lowe had ridden into 2018 astride a storied forty-plus year career as an artist, producer and one of the most-revered songwriters of his generation. Three years ago, Nick Lowe had almost convinced himself that his days of making records were over.

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